. Tim Blacksmith. Danny D.
Download Mp3: Iggy Azalea Ft. Rita Ora - Black Widow mp3 Download. Use Freedsound to Convert and Download offline mp3 and mp4 of black widow iggy azalea rita ora remix.
(exec.) singles chronology ' (2014) ' Black Widow' (2014) ' (2014) singles chronology ' (2014) ' Black Widow' (2014) ' (2015) ' Black Widow' is a song by Australian rapper, from her debut studio album, (2014). The song's is sung by British recording artist, and its lyrics chronicle subjects of revenge and in a failed romantic relationship. 'Black Widow' was written by Azalea, and duo; the latter also produced the song. Initially a track recorded by Perry for her fourth studio album, (2013), the song was excluded from its track listing, however Perry handed the demo to Azalea for her to complete. On 8 July 2014, the song impacted on mainstream radio stations in the US as the fifth single from The New Classic and the accompanying for the song was released on 13 August 2014. 'Black Widow' has been described as 'channeling the ' genre, containing an ominous, heavy and a sparse. The song peaked at number three on the US, becoming Azalea's third top-five hit, following ' and '.
The song also became Ora's first top-three hit in the US. It has also reached number four in the UK and number fifteen in Australia.
Its composition has been the subject of music critics' comparisons to Perry's '. Other journalists, praised its beat and Azalea and Ora's vocals. 'Black Widow' charted due to strong digital sales during the debut week of The New Classic. Accordingly, before becoming a single it achieved peaks of number 91 in the United Kingdom and number 86 in Australia, and appeared on several component charts. Azalea has performed the song live as part of the set list for her first headlining tour, (2014).
The song is featured on the video game series. 'Black Widow' was initially co-written by (pictured) for her fourth album, but gave it to Azalea after it was completed. In early 2013, Azalea became friends with American singer through, an at Azalea's record label. Anokute, who previously was an A&R for Perry at her label, told Azalea that Perry was a fan of her music. When Azalea was nominated at the, Anokute asked Perry if she could promote Azalea's nomination in her category for Artist to Watch. Perry then took to to rave about Azalea's music, and Azalea later consulted Anokute about a future collaboration with Perry. Shortly afterward, Azalea and Perry begun working together with the latter's frequent collaborator, but the collaboration proved unsuccessful.
Azalea then heard about a song Perry recorded, 'Black Widow', which was going to be given away to another artist. The song was initially written as a last-minute addition to Perry's fourth studio album, (2013), but the composition finalized only after the album's release. Azalea described the track as 'a legend' and a 'mysterious record', before she could finally hear it. 'I've known Iggy for many years. She supported me on my first tour. It was only an eight show tour in America. She only had 'Pussy' out at that time.
I've always loved her vibe and her energy. I knew her new album was going to be a shock and it was a good shock, and I'm really happy for her. What we've done together is so cool and 'Black Widow' has an amazing message. We've always wanted to work together and we found the perfect song.
It's all about women empowerment.' — on collaborating with Azalea on the song. On 4 June 2013, Azalea confirmed that British recording artist would feature on her debut studio, after previously announcing Ora's feature on 26 December 2012. She stated, 'I had a song in mind, and I need a woman with a big voice to sing the chorus because I can't do it'.
Azalea then asked Perry if she could record 'Black Widow' for her album, which Perry then agreed to. The record, however, was never sent to Azalea and on 1 August 2013, she denied that Ora would be collaborating with her on the album. Azalea then met Perry for the first time, as her supporting act at the that year.
At the festival, Perry approached Azalea with an offer to record 'Black Widow' as she felt the song would suit her better. Azalea was then invited to Perry's after party that night, where the two exchanged numbers, and Perry sent Azalea the record. When Azalea received the song, it only consisted of a and a. She initially wanted Perry to sing the song's hook, but Perry was unable to because of time constraints. In an interview, Azalea mentioned, 'It needed someone who could really sing, as Katy's voice is awesome.
The sky's the limit for Rita. Rita's a superstar and she will only get bigger.
Rita is a great fit. Her voice can blow people away.' Azalea and Ora then begun recording 'Black Widow' in November 2013 after the, and completed it in January 2014. The final version of 'Black Widow' was by Azalea, Perry, and its. Tim Blacksmith and Danny D.
Were responsible for the song's and production co-ordination. StarGate provided the track's.
Azalea and Ora recorded their vocals for the song at and in, and Jungle City Studios in. Their vocals were by Daniel Zaidenstadt and Eriksen, while Miles Walker was credited as the track's assistant vocal engineer. Completed the process at Ninja Club Studios in, with the assistance of Daniela Rivera. The song was originally rumoured to be produced by both duo StarGate and Benny Blanco, though upon the release of the album, Blanco was only credited as a songwriter. Release On 26 February 2014, in an interview with Los Angeles radio station, Azalea stated that the album's fifth single would be written by Perry and feature an undisclosed female artist. A 90-second preview of 'Black Widow' was released on 11 April 2014.
The song's full version then leaked online on 17 April 2014, five days prior to the release of The New Classic on 22 April 2014. In an interview with music website HotNewHipHop on 3 June 2014, Azalea confirmed the song as the forthcoming fifth single from the album. It was released on 14 September 2014 in the United Kingdom.
Composition. A sample of the song's chorus introduced with Ora singing the lyrics 'I'm gonna love ya, until you hate me / And I'm gonna show ya, what's really crazy'. Problems playing this file? 'Black Widow' is a song which runs for a duration of three minutes and 29 seconds and has been described as a song that 'channels more with its beat'.
The song combines a sparse snap and heavy trap beat with a that follows a slow-building, clapping chorus formula which peaks but deliberately never capitalizes. Instrumentally, 'Black Widow' is composed of an ominous, and heavy, while its is employed with minimalism. Azalea solicits the track's with a snarling, bitter technique, consisting of rhyming employed with a spitting delivery. While Ora uses a seething element to sing the track's hook, 'I'm gonna love ya, until you hate me / And I'm gonna show ya, what's really crazy / You should've known better, than to mess with me harder / I'm gonna love you, I'm gonna love you / Gonna love you, gonna love you / Like a black widow baby'. Combined, Ora and Azalea's vocals are based on a structure throughout the song. Lyrically, 'Black Widow' is a dark love song which deals with the subjects of revenge and in a failed romantic relationship.
According to Nedeska Alexis of, the song 'captures the fallout when love turns sour' and is clarified in the lyric 'I'm gonna love ya until you hate me / And now I'm gonna show ya what's really crazy'. 's Emily Mackay denoted the lyrical content in 'Black Widow' to contain a theme of 'dark, dangerous sexuality' and felt it owned 'the bunnyboiler femme fatale stereotype'. Nick Aveling of summarized the track's theme as 'boy-baiting drama'.
The song's beat, hook and production formula garnered many comparisons to Perry's single ' (2013). While Tshepo Mokoena of felt 'Black Widow' was sonically reminiscent of Azalea's previous collborations with American disc jockeys and, and Craig Mathieson of likened the song to the music of.
'Black Widow' is performed in the key of with a tempo of 82 beats per minute. The vocals span from D ♯ 4 to B 4 in the song.
Critical response. Critical response to 's guest vocals was generally positive. 'Black Widow' was met with generally mixed to positive reviews from music critics. Brittany Spanos of called 'Black Widow' a 'great song' and praised its 'hypnotic chorus.'
Rory Cashin of felt the track had 'future hit written all over it', and lauded Ora's 'sing-along chorus', Stargate's 'fantastic' production, and considered the song to be a 'darker alternative' to 'Dark Horse'. A writer for felt 'Black Widow' was 'a killer collaboration', in the same vein as Azalea's fourth single ' which featured. MTV Buzzworthy's Nedeska Alexis placed the song in her list of the 4 Songs You Have To Hear from the album, and said Perry 'worked her magic on the track.'
Lucy O'Brien of called the track a 'call-and-response anthem.' Journalist Lauren Valenti deemed the song 'deliciously wicked' and 'nothing short of brilliant', and commended Ora's vocal delivery on the track's hook. A writer for called Azalea and Ora 'a deadly duo' on the song.
Saeed Saeed of highlighted 'Black Widow' as a stand out track on The New Classic and praised its 'strong chorus and slithering beats.' Saeed's view was echoed by John Wiley of who listed the song as one of two highlights on the record. Writing for The Sydney Morning Herald, Craig Mathieson stated, 'while her verses don't have the sustained length of her previous underground releases, Azalea skillfully upsets convention.' Kyle Moody of the preferred Azalea's sound 'Black Widow' to the more rap-orientated songs on The New Classic.
Laetitia Wong Wai Yi of felt the track attained well-deserved hype and commended it for 'perfectly' combining Azalea's vocal fluidity with its minimalistic dance breakdown. Journalist Megan Angelo positively reviewed the song, writing, 'Black Widow' isn't just an excellent get-up, get-ready, get-moving song for Friday night—it also happens to be a Women Killing Music summit in the form of a neat little track.' Reviewers were divided in their opinion of the song. Christina Lee deemed it 'a surprisingly thrilling, high-stakes moment' on the album, while Carl Williot felt Ora's hook overshadowed Azalea's verses on the song. Journalist Erin Lowers wrote, 'Black Widow' should pass the threshold between mediocrity and superstardom, but falls by the wayside with little personality.' 's Giuseppe Zevolli negatively reviewed the song, writing, 'Black Widow' is so preoccupied with its overfilled, catchall crescendo that it oozes away before you even notice'. Kellan Miller of felt that the song intended to be 'a hit-to-oliberate-all-other-hits-forever-and-ever-amen', but ultimately was 'a fourth quarter Hail Mary pass at best.'
In his review, Miller added, 'Instead of remaining steadfast to the shimmer that made the early offerings bright spots, Iggy veers off course in an all too contrived effort to meet the quota of her colossal ambition.' 's Alexandra Pollard criticized the track's similarities with 'Dark Horse' and dismissed Perry for repeating her 'tried-and-tested-formula'. StarGate's involvement was panned by Alfred Soto of, who said the song's hook was borrowed from the duo's previous production for Barbadian recording artist 's ' (2007). Additionally, Soto dismissed the track's synth line as being 'nicked' from StarGate's production on American singer-songwriter 's (2010). The song was named the eighth worst song of 2014 by Time magazine. Chart performance In Australia, due to strong digital sales during the debut week of The New Classic, 'Black Widow' debuted at number eighty six on the on 5 May 2014.
In Ora's native United Kingdom, the song debuted at number ninety one on the, eventually peaking at number four on the chart, becoming Azalea's highest charting single as a lead artist in Britain to date. The song also debuted at number fifteen on the. In the United States, 'Black Widow' debuted at number nine on the chart issued for 10 May 2014 and entered at number 97 on the chart issued for 10 July. It debuted at number 36 on the of 23 June 2014. On the week ending 17 August 2014, the song advanced 15-8 on the Hot 100 becoming Azalea's third US top 10 hit. The ascent made Azalea the third female act to score three top 10 spots simultaneously in the Hot 100, after, and, with the latter also doing it on the same week as Azalea, marking the first time in Hot 100 history that two acts each tripled up in the chart's top 10 simultaneously.
The pair's team-up, 'Problem,' fell 6-7 (after reaching No. 2 for five weeks) and Azalea's former seven-week No.
1 'Fancy,' featuring Charli XCX, slid 3-5. 'Black Widow' had sold 2,119,182 copies in the US, as of 28 December 2014, and peaked at number three on the.The song was one of four different songs to be held off from number one by Meghan Trainor's 'All About That Bass' and Taylor Swift's 'Shake It Off', which held the top two positions for 11 consecutive weeks. With 'Black Widow,' Azalea also became just the fourth artist in the chart history to send her first three chart entries to No. Ora, meanwhile, earned her first No.
1 on the chart. The track also topped the chart for multiple weeks. On 23 December 2014, 'Black Widow' was certified Double Platinum in after peaking at number six on the. Music video Background On 3 June 2014, Azalea confirmed an accompanying for the song, stating, 'We're gonna have a very crazy music video, with a lot of other people that you guys may know, playing different characters.
I'm really excited about it.' Ora also talked about preparing for the video in June, 'It is going to be amazing; I can't even tell you what's going to happen because I am sworn to secrecy. It is going to be major. You've seen her video for '?
She loves a theme and the theme for this one is fucking genius. All I am saying is I am in training for days for this video.' The video was shot in mid-July in Los Angeles. On 8 August 2014 during a performance, Ora announced that the video should premiere officially on 11 August 2014. On 11 August 2014, a 16-second for 'Black Widow' was uploaded on Azalea's channel. The video was directed by and Iggy Azalea and premiered through VEVO on 13 August 2014. Daps was the second unit director for the music video.
American actors, and actor/rapper also appear in the video. On 14 August 2014, exclusive footage from the video set was shown on the second episode of MTV's show, hosted by Azalea and where she revealed the visuals are inspired by and movies.
Synopsis The video starts with Rita Ora and her boyfriend, played by, entering a diner. The man steps on and squishes a spider with his boot, just before Iggy Azalea is shown as a waitress named Fox behind the diner counter. Azalea then approaches the couple and hands them the menu. The man orders a BLT 'dripping with melted cheese' and just when Ora is about to order he interrupts her by saying 'she's gonna have the same damn thing', which causes Ora to look at him somewhat upset. As Azalea arrives with the order, the man starts complaining about the sandwich and refuses to eat it.
Then, the owner of the diner, Big Wanda, jumps over the counter and asks if there's a problem. After hearing the man's complaint, Azalea tries to explain but to no avail when the owner says '? And she is told to make another sandwich with more cheese. Ora is shocked when the owner begins to flirt with her boyfriend in front of her, and her boyfriend ignores her because the owner promises him a 'big, juicy BLT sandwich' that is the menu's special. When Ora tries to speak up, she is verbally put down by the owner, who says her special order is 'nothing like the little sandwich' Ora has.
Ora continues to show disapproval towards the situation. The song starts just when Azalea starts chopping the lettuce. Azalea's dream starts, in which she can be seen with Ora in a snowy scene, both dressed in similar jumpsuits with a 'Black Widow' on each of their backs. When the scene changes, Azalea is training with an older Japanese man, followed by her intercepting a poison dart.
She opens the dart to find an image of Madsen with the word 'Destroy' written on it. Meanwhile, Ora is playing poker in an underground casino alongside and rapper and wins a large amount of money. Following this Sorvino becomes upset and aggressive, and Ora kicks him to the ground. As Sorvino lies motionless on the ground, Ora receives a message with the image of her next target - Madsen. She and Azalea both ride motorcycles to Madsen's club. Azalea unsheathes her katana and strides towards Madsen as the terrified club patrons flee. Madsen summons his guards to attack Azalea but Ora arrives as her backup, and the pair defeat the guards.
They then confront Madsen who draws a gun on them, but before he can shoot them he is bitten by a spider and dies. The scene snaps back to reality, revealing all the previous events were a of Azalea's, who is actually still chopping lettuce with the owner of the diner yelling at her. Reception The clip was generally well received by fans and critics. Brian Anthony Hernandez of wrote: 'Step aside,.
In what could essentially amount to an audition tape for 3, 'Fancy' rapper Iggy Azalea and 'R.I.P' singer Rita Ora have transformed into beautiful assassins in their elaborate music video for 'Black Widow.' Samantha Nelson of claimed 'the video coincides with the female empowerment concept,' but was disappointed with the lack of single shots of Azalea rapping and the focus being on the Kill Bill theme rather than the actual performance of the song itself, while Brittney Stephens of PopSugar noted that 'Iggy Azalea has already proven that she can pull off the music-video movie spinoff.' 'Black Widow' was nominated for 'Best Video' at the. Live performances 'Black Widow' was first performed by Azalea and Ora together at in London on 4 July 2014. The song was also included in the setlist of.
Azalea and Ora performed the track in -inspired catsuits at the, on 24 August 2014. Ora then also joined Azalea's set on stage at the in Los Angeles on 30 August 2014, to perform the song. They performed it again together on 's season 12 premiere week on 9 September 2014.
Azalea and Ora also performed 'Black Widow' in the fourth episode of 's on 25 October 2014. Track listing US Remixes EP No. Title Length 1. 'Black Widow (featuring Rita Ora)' (Vice Remix) 3:39 2. 'Black Widow (featuring Rita Ora)' (Justin Prime Remix) 5:41 3. 'Black Widow (featuring Rita Ora)' (Justin Prime Radio Edit) 3:24 4. 'Black Widow (featuring Rita Ora)' (Justin Prime Instrumental) 5:41 5.
'Black Widow (featuring Rita Ora)' (Oliver Twizt Remix) 5:07 6. 'Black Widow (featuring Rita Ora)' (Oliver Twizt Remix Radio Edit) 3:22 7.
'Black Widow (featuring Rita Ora)' (Dank Remix) 4:24 8. 'Black Widow (featuring Rita Ora)' (Dem Slackers Remix) 5:31 9. 'Black Widow (featuring Rita Ora)' (Dem Slackers Remix Radio Edit) 3:17 10. 'Black Widow (featuring Rita Ora)' (Bordertown Remix) 4:35 UK Remixes EP No. Title Length 1. 'Black Widow (featuring Rita Ora)' (Tiga Remix) 5:12 2.
'Black Widow (featuring Rita Ora)' (Darq E Freaker Remix) 3:31 3. 'Black Widow (featuring Rita Ora)' (Mtrnica & Malachi Remix) 3:31 4. 'Black Widow (featuring Rita Ora)' (DJ Turkish Remix) 3:07 5. 'Black Widow (featuring Rita Ora)' (86 Remix) 4:29 Credits and personnel The credits for 'Black Widow' are adapted from the liner notes of The New Classic. Locations. Recorded at: Record Plant and Westlake Recording Studios, Los Angeles; Jungle City Studios, New York.
Mixed at: Ninja Club Studios, Atlanta Personnel. Songwriting – Amethyst Kelly, Tor Erik Hermansen, Mikkel Storleer Eriksen, Benjamin Levin, Katy Perry, Sarah Hudson. Production – StarGate. Vocals – Iggy Azalea, Rita Ora. Instrumentation – StarGate. Programming – StarGate.
Vocal engineering – Daniel Zaidenstadt, Mikkel Eriksen. Vocal engineering assistance – Miles Walker. Production coordination – Tim Blacksmith, Danny D. Executive production – Tim Blacksmith, Danny D. Mixing – Phil Tan. Mixing assistance – Daniela Rivera Charts.
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